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週次 |
日期 |
單元主題 |
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第1週 |
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Dubliners
1) Luke Gibbons, “’Have you no homes to go to?’: Joyce and the Politics of Paralysis.” Semicolonial Joyce. Eds. Attridge and Howes. (2000). 150-171.
2) Mark Osteen, "'A Regular Swindle': The Failure of Gifts in Dubliners," Twenty-First Joyce. Eds. Ellen Carol Jones and Morris Beja. (2004). 13-35. |
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第2週 |
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3) Vincent Cheng, “Empire and Patriarchy in ‘The Dead’.” Joyce, Race, Empire. (1995). 128-147.
4) Garry Leonard, “’Perhaps she had not told him the whole story’ The Woman as a Symptom of Masculinity in ‘The Dead’.” Reading “Dubliners” Again: A Lacanian Perspevitve. (1993). 289-308.
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第3週 |
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A Portrait of the Artist as a Young Man
1) Maud Ellmann, “Disremembering Dedalus: 'A Portrait of the Artist as a Young Man'.” Untying the Text: A Post-structuralist Reader. Ed. Robert Young. (1981). 189-206. |
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第4週 |
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2) Garry Leonard, “When a Fly Gets in Your I: The City, Modernism, and Aesthetic Theory in A Portrait of the Artist as a Young Man.” Advertising and Commodity Culture in Joyce. (1998). 175-207. |
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第5週 |
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The Critical Writings
1) “Fenianism”
2) “The Day of the Rabblement”
3) “Island of Saints and Sages”
4) “Ireland at the Bar”
5) Kevin J. H. Dettmar, “Joyce/”Irishness”/Modernism.” Irishness and (Post) Modernism. Ed. John S. Richard. (1994). 103-26.
6) Vincent Cheng, “Of Canons, Colonies, and Critics: The Ethics and Politics of Postcolonial Joyce Studies.” Re: Joyce: Text, Culture, Politics. Eds. John Brannigan, Geoff Ward, Julian Wolfreys. (1998). 224-45.
7) Mark Wollaeger, “Joyce and Postcolonial Theory: Analytic and Tropical Modes.” A Companion to James Joyce. Ed. Richard Brown. (2008). 174-192.
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第6週 |
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The Telemachiad
1) Garry Leonard, “’A Little Trouble about Those White Corpuscles’: Mockery, Heresy, and the Transubstantiation of Masculinity in ‘Telemachus’.” Ulysses—En-Gendered Perspectives. Eds. Devlin and Reizbaum. (1999). 1-19.
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第7週 |
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2) Kathleen St. Peters Lancia, "The Ethnographic Roots of Joyce's Modernism: Exhibiting Ireland's Primitives in the National Museum and the 'Nestor' Episode." Irish Modernism and the Global Primitive. Eds. Maria Mcgarrity and Claire A. Culleton. (2007). 79-92.
3) Murray McArthur, “’Signs on a White Field’: Semiotics and Forgery in the ‘Proteus’ Chapter of Ulysses.” ELH, 53.3 (1986): 633-52.
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第8週 |
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Odyssey
1) Karen Lawrence, "Bloom in Circulation: Who's He When He's Not at Home?" Joyce on the Threshold. Eds. Anne Fogarty and Timothy Martin. (2005) 15-27. |
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第9週 |
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“Aeolus”
1) Jacques Derrida, “Ulysses Grammaphone.” James Joyce: The Augmented Ninth. Ed. Bernard Benstock. (1988). 27-75.
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第10週 |
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2) Patrick McGee, “Machines, Empire, and the Wise Virgins: Cultural Revolution in ‘Aeolus’.” Ulysses—En-Gendered Perspectives, 86-99. |
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第11週 |
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“Cyclops” and “Nausicaa”
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第12週 |
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1) Tony E. Jackson, “’Cyclops,’ ‘Nausicaa,’ and Joyce’s Imaginary Irish Couple.” JJQ 29.1 (Fall 1991): 63-83.
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第13週 |
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“Circe”
1) Margot Norris, “Disenchanting Enchantment: The Theatrical Brothel of ‘Circe’.” Ulysses—En-Gendered Perspectives, 229-241.
2) Christinia Froula, “’Circe’s Necessary Evils: Father-Tyrants,
Mother/Whores, and Political Philotheology.” Modernism’s Body: Sex, Culture and Joyce. (1996). 136-158.
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第14週 |
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3) Cheryl Herr, “’One Good Turn Deserves Another’: Theatrical Cross-Dressing in Joyce’s ‘Circe’ Episode.” Journal of Modern Literature 11.2 (1984): 263-276. |
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第15週 |
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“Penelope”
1) Karen Lawrence, “Joyce and Feminism.” The Cambridge Companion to James Joyce. Ed. Derek Attridge. (1990). 237-258.
2) Kathleen McCormick, “Reproducing Molly Bloom: A Revisionist History of the Reception of ‘Penelope’ 1922-1970.” Molly Blooms: A Polylogue on “Penelope” and Cultural Studies.. Ed. Richard Pearse. (1994). 17-39.
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第16週 |
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3) Suzette Henke, "Re-Visioning Joyce's Masculine Signature." Joyce in Context. Eds. Vincent Cheng and Timothy Martin. (1992). 138-50.
4) Brandon Kershner, "Joyce beyond the Pale." Eco-Joyce: The Environmental Imagination of James Joyce. Eds. Robert Brazeau and Derek Gladwin. (2014). 123-135. |